
Entertainment
Kirikiri Prison: How Bobrisky spent jail term in Special Cell

More details emerged on Friday on what transpired during the six-month jail term of popular cross dresser, Idris Okuneye, aka Bobrisky.
Investigations by Saturday PUNCH revealed that the controversial social media influencer after being sentenced for spraying the naira, was taken to the Ikoyi Custodial Centre on April 12, 2024.
Sources confided in our correspondents that the convict, who had prison number S682/2024, was taken to the Medium Security Custodial Centre, Kirikiri, as his presence began to attract attention and generate publicity.
A highly credible source said, “He was first moved to the Ikoyi prison where he spent a few days before the controller, Ben-Rabbi Freedman, moved him to the Medium Security Custodial Centre, Kirikiri.”
Another top source confirmed Bobrisky’s movement from the Ikoyi facility to the Medium Security Custodial Centre, adding that he spent some days there before he was again moved to the Maximum Security Custodial Centre, Kirikiri.
The source explained that he was visited by some relatives in the prison, adding that there was a record of all his activities.
“Many people visited him in the place, including three family members. Those people followed due process and that was why they were able to see and visit him. I also saw him in the prison. He looked gentle and sober,” the source added.
The special ‘cell’
Saturday PUNCH gathered that there was usually provision for some inmates considered to be “Very Important Persons” who might be at risk if allowed to mingle with other inmates.
“The place is like a back cell or a single cell originally reserved for well-behaved inmates. This is in accordance with prison rules. They are put there to compensate for their good behaviour.
“However, when warders bring in certain people, they are taken there. They live whichever way they want. Some of the inmates furnish the place to their taste,” the source stated.
Asked the cost of using the room, the source noted that such was usually determined by the officer in charge of the centre.
“They collect huge sums of money from them, depending on the kind of inmates they have. When you saw the fight between operatives of the DSS and prison service for (Godwin) Emefiele on the court premises, what did you think was the reason? It’s because of the benefits that come with having such a person in custody,” the source added.
The source noted that Bobrisky might have been put in the “special cell” during his time in the Kirikiri prison.
Another source, who confirmed the existence of such an arrangement, said negotiations usually start from the court between inmates and prison officials.
The source said the correctional service knew what it wanted to do, hence Bobrisky was allegedly shielded from inmates when he was admitted.
He said, “Inmates who saw him at the medium prison before he was moved to maximum prison were not many. It was all planned.”
But the spokesperson for the Nigerian Correctional Service, Abubakar Umar, denied the report that there was preferential treatment for VIP convicts.
“We are not aware of such. They are alien to us. However, that information will be investigated. All inmates are given the same treatment. We don’t have any preferential treatment for anybody,” he insisted.
Efforts to get Bobrisky’s reactions proved abortive, as he did not respond to calls to his telephone line and messages sent to his official Facebook handle and WhatsApp on Friday night.
Controversial cross-dresser
Bobrisky has been in the eye of the storm since Wednesday, April 3, 2024, when operatives of the Lagos command of the Economic and Financial Crimes Commission arrested and detained him over allegations of mutilating naira notes worth N490,000 and money laundering.
The arrest followed a viral video that showed him spraying naira notes at the premiere of the movie Ajakaju at Film One Circle Mall, Lekki, Lagos, on March 24, 2024.
He was subsequently arraigned at the Federal High Court in Lagos on six counts. The first four counts involved the abuse of the Nigerian currency, while the last two were on money laundering.
However, before the charges were read, the EFCC prosecutor, Mr Sulaiman Sulaiman, requested the court to strike out counts five and six.
“We have an agreement with the defendant to withdraw counts five and six. Therefore, we humbly urge the court to strike them out, leaving counts one to four,” he said.
The court then dismissed the two counts, and scheduled April 9, 2024, for judgement.
Bobrisky pleaded guilty to the remaining charges, and on Friday, April 12, 2024, Justice Abimbola Awogboro sentenced him to six months in prison without the option of a fine for abusing the naira.
While many Nigerians expected Bobrisky’s appearance to change following his time in prison, the controversial social media personality hosted a celebratory party just hours after his release on Monday, August 5, 2024.
Appearing more radiant than before, Bobrisky, in a viral video, boasted, “I came back from jail with a nice body,” prompting doubts about whether he truly served his sentence at a custodial centre or not.
The cross-dresser landed in fresh trouble on Tuesday when a social media activist, Martins Otse, also known as VeryDarkMan, called him out over an unpaid debt.
In a trending video, VDM said a creditor approached him, pleading for help in recovering N4m that Bobrisky borrowed.
The creditor reportedly sent Bobrisky the sum when the latter was desperate to raise money for a private apartment in prison. He, however, allegedly refused to repay the loan after his release.
VDM subsequently played an audio clip in which the ex-convict purportedly admitted to paying unnamed EFCC operatives N15m for dropping the money laundering charges against him.
Bobrisky also allegedly claimed in the audio that he served his six-month jail term in a private flat near the prison after a “mentor” spoke to the prison authorities in Abuja.
After the tape went viral, Bobrisky took to his Instagram page to deny making such claims, saying that the audio was fake.
He said, “I didn’t pay any EFCC official N15m, and I served my jail term in full. Disregard any false information being spread.”
Suspension without due process
As the scandal gained momentum, the Minister of Interior, Dr Olubunmi Tunji-Ojo, on Wednesday, initiated a probe into the allegations.
The Civil Defence, Correctional, Fire and Immigration Services Board also suspended the officers in charge of the Maximum and Minimum Custodial Centres.
In a statement issued in Abuja on Thursday, the Secretary of CDCFIB, Ja’afaru Ahmed, said the suspension of the officers was to allow for further investigation into the various allegations, assuring that the outcome would be made public when concluded.
He said, “Following the viral video trending on social media on alleged infractions by officers of the Nigerian Correctional Service relating to Mr Idris Okuneye, widely known as Bobrisky, the Civil Defence, Correctional, Fire and Immigration Services Board has suspended forthwith the following Senior Officers of the Service.
“Michael Anugwa, Deputy Controller of Corrections In-Charge of Medium Security Custodial Centre, Kirikiri, Lagos State; and Sikiru Adekunle, Deputy Controller of Corrections, in-charge of Maximum Security Custodial Centre, Kirikiri, Lagos State.
“Also, the Board has suspended ASC II Ogbule Samuel Obinna, serving at the Medium Security Custodial Centre, Afikpo, Ebonyi State, for allegedly accompanying a convicted inmate out of the Custodial Centre to a location outside the facility.
“In another related development, the Board has equally suspended another Senior Officer of the Service, Iloafonsi Kevin Ikechukwu, Deputy Controller of Corrections, In-Charge of Medium Security Custodial Centre, Kuje- Abuja, for allegedly receiving monies on behalf of an inmate”.
However, sources in the correctional service criticised the decision of the board to suspend the officers without due process
Saturday PUNCH learnt that Adekunle, who resumed at the maximum prison a few months ago, was not served a query like the rest of his colleagues.
“The action was a flagrant disregard for the civil service rules, which lays down the process for such a decision. None of the officers were served queries or allowed to defend themselves.
“Also, the board does not suspend directly. The queries are supposed to come from the correctional service, who will then make recommendations to the board.
“In addition, if there should be a suspension, it should be announced by the controller general of the correctional service,” a source said.
The source also wondered why the officers were singled out for punishment if Bobrisky’s allegation was against the controller general.
He noted that the panel constituted against the officers did not include any official of the correctional service, saying nothing would come out of it.
“It appears a grand scheme to cover up things. There is more to it than meets the eye,” the source said.
A spokesperson for the minister refused to comment on the matter.
The EFCC’s Head of Media and Publicity, Dele Oyewale, said the commission’s Chairman, Ola Olukoyede, had ordered an investigation into the matter.
Oyewale said the commission had also invited VDM and Bobrisky to its Lagos office to assist investigators into the alleged bribery.
“We have said we are investigating. The chairman has ordered that the matter be investigated,” he stated.
When pressed further on how many people were being investigated, he said, “I may not be able to tell you that because I don’t know. I will find out from the chairman.”
Entertainment
Veteran Actor Olu Jacobs Dies at 84

Veteran Nigerian actor and film executive Oludotun Baiyewu Jacobs, popularly known as Olu Jacobs, has died at the age of 84.
His son, Olusoji Jacobs, announced his death in an Instagram post on Wednesday, describing him as “The Lion of Lufodo.”
Olusoji said the family was grateful to God for the life their father lived and appealed to bloggers and social media influencers to respect the family’s privacy.
Olu Jacobs was one of Nigeria’s most respected veteran actors, with a career spanning theatre, television and film.
Born on July 11, 1942, Jacobs trained at the Royal Academy of Dramatic Arts in London. He began his acting career in British television before featuring in international productions and later returning to Nigeria, where he established himself as a major figure in the country’s film industry.
He appeared in numerous Nigerian films and was recognised with several industry honours, including the Industry Merit Award at the Africa Magic Viewers’ Choice Awards and a Lifetime Achievement Award at the Africa International Film Festival.
Jacobs was also involved in film production and the development of the performing arts in Nigeria. Alongside his wife, veteran actress Joke Silva, he was associated with the Lufodo Group.
His death marks the loss of one of the most recognisable figures in Nigeria’s entertainment industry.
Entertainment
Poco Lee Granted Bail in UK Ahead of September 15 Court Hearing

Nigerian dancer and entertainer Iweh Odinaka, popularly known as Poco Lee, has been granted bail in the United Kingdom ahead of his scheduled appearance at Snaresbrook Crown Court on Tuesday, September 15, 2026.
According to court information, Odinaka was granted bail on September 11, with a plea and trial preparation hearing scheduled for September 15.
“The Defendant has been granted bail on the 11th September 2026,” the court stated, adding that “There is a plea and trial preparation hearing on the 15th September 2026.”
The bail decision clarifies the entertainer’s current custody status following earlier reports about his release.
However, the granting of bail does not mean the criminal proceedings have been discontinued or that the allegations against him have been resolved.
The Crown Prosecution Service had previously confirmed that the case remained active and that Odinaka was due to appear before Snaresbrook Crown Court.
Odinaka is facing five sexual offence charges, including attempted rape, two counts of rape and two counts of assault by penetration.
He has denied the allegations and maintained his innocence. The charges remain before the court and have not been determined.
In a video shared on Instagram by social commentator Martins Otse, popularly known as VeryDarkMan, Poco Lee said he remained confident because he knew he had not committed the alleged offences.
He said: “If I were inside there and I did what I was accused of, I would have felt I was paying for my sins, but since I knew I didn’t do what I was accused of, my mind is pure.”
The case followed Poco Lee’s visit to the UK for the Davido and Friends concert at the Crystal Palace Bowl in London on August 14, 2026.
Poco Lee has not been convicted of any offence. His next court appearance is scheduled for Tuesday, September 15, 2026.
Entertainment
Davido Reveals How Dangote Drove His Mother Home

Afrobeats superstar David Adeleke, popularly known as Davido, has revealed a long-standing relationship between his family and Nigerian billionaire businessman Aliko Dangote.
Speaking in a recent interview, Davido said Dangote personally drove his mother home from the hospital after she gave birth to him.
“Aliko Dangote drove my mom home from the hospital when she gave birth to me.”
Davido explained that Dangote has maintained a close relationship with his family for decades, particularly with his father, businessman Adedeji Adeleke.
According to the singer, Dangote has also offered him financial advice since he was a child, repeatedly encouraging him to save and manage his money wisely.
“Anytime I see him, he still tells me, ‘David, save your money.’ He’s been saying that since I was a baby.”
The singer said the billionaire’s advice has remained valuable throughout his career in the entertainment industry.
Davido also spoke about his perception of wealthy people, saying billionaires are ordinary people despite the enormous wealth they possess and that their private lifestyles are often different from how the public imagines them.
He described his relationship with Dangote as one that dates back to his childhood and continues to this day.
Entertainment
Agulu Chimezie – Nne Agulu Bia

AGULU CHIMEZIE Releases New Single Titled “NNE AGULU BIA”
Artist: Agulu Chimezie
Real Name: Chimezie Ibezim
Song Title: Nne Agulu Bia
Producer: Mr Wanga
Location: Nigeria
Native: Agulu, Anambra State, Nigeria
Nigerian recording artist Agulu Chimezie, born Chimezie Ibezim, has released his latest song titled “Nne Agulu Bia.” The new release adds to the growing catalogue of the talented artist, who has previously released several songs and continues to make his voice heard through music.
Nne Agulu Bia is a song that proudly reflects the artist’s connection to Agulu in Anambra State, celebrating his roots, identity, culture and the spirit of his people.
The song which storyline reflects to how our Ancestor traveled from Agulu to foreign land and later came back home peacefully
The song was produced by talented music producer Mr Wanga, bringing together a distinctive sound and musical production that complements Agulu Chimezie’s artistic style.
With several songs already to his name, Agulu Chimezie is steadily building his presence in the Nigerian music scene, using his music to connect with listeners both at home and beyond.
“Nne Agulu Bia” is now available on various digital music platforms, giving fans and music lovers the opportunity to stream and enjoy the latest release.
About Agulu Chimezie
Agulu Chimezie, whose real name is Chimezie Ibezim, is a Nigerian artist and a native of Agulu, Anambra State. Through his music, he continues to showcase his creativity while representing his roots and contributing to the growth of Nigerian music.
Listen, Stream & Support
Music lovers are encouraged to search for Agulu Chimezie – “Nne Agulu Bia” on major digital music platforms, stream the song, share it with friends and family, and support the artist by following his musical journey.
Agulu Chimezie — “Nne Agulu Bia”
Produced by Mr Wanga
Out Now on Digital Platforms.
DOWNLOAD AND ENJOY BELOW 👇
Entertainment
Ugo Oswald: Using Music as a Vehicle for Truth, Culture and Social Responsibility

By Our Reporter
For Ugo Oswald, music is much more than entertainment. It is a responsibility—a vehicle through which artists can educate, influence, preserve culture and communicate important truths to society.
The multidisciplinary artist, author and songwriter believes music should carry messages that are meaningful, age-appropriate and rooted in the customs and values of the people.
“I believe that music is more than a sound. It’s a responsibility to the audience to influence, teach and share through age-appropriate storytelling, in the customs of our people,” Oswald said.
According to him, an artist has a solemn responsibility to confront society with the truth, mobilise communities towards communal living and promote values that strengthen society.
For Oswald, the genre is secondary to the message.
“We can rock it, ragga it, blues it, hardcore it, or simply oja it, to get the story across,” he said.
His approach to songwriting is also informed by his belief that music can communicate on several levels. He describes music as a “solid code” in which lyrics can contain deeper meanings beyond their immediate interpretation.
“I believe that music is a solid code, on two levels, or three levels, making lyrics deeper than what they seem to say,” he explained.
From Behind the Scenes to Songwriting
Although Oswald has only recently begun putting his own lyrics together in earnest, his relationship with music and the creative industry goes back many years.
A native of Ohaozara in Ebonyi State, he was involved in the music and entertainment scene during his university years, working largely behind the scenes.
He recalls being around the industry during the era of artistes such as McLoph, Ill Bliss, Obiwon and BigLo.
His experience also brought him into contact with some of the leading voices of the Nigerian music industry. While serving as a programme officer at the newly established NTA Asaba, Oswald granted Flavour, popularly known as Ijele, his first television interview.
Those experiences, he says, helped shape his understanding of music not merely as performance, but as a powerful medium for communication and social influence.
Today, Oswald sees himself primarily as a songwriter and music production operative rather than simply as an artiste.
His creative interest is centred on developing songs and productions capable of carrying substantial messages while remaining accessible to different generations.
Music With a Social Message
Oswald’s second album, Who Love Nigeria, reflects this philosophy.
The project explores family, history, anthropology, politics and African consciousness through a blend of conscious root rock reggae, dancehall, Afro-pop soul remix and alternative rock.
Rather than restricting himself to one musical style, he experiments with different genres in an effort to create what he describes as new paradigms for communicating deep messages about society.
Issues including conservation, governance and everyday living feature prominently in his creative worldview.
For Oswald, the power of an artist comes with an obligation to use that influence responsibly.
He is particularly passionate about positive and clean lyrics that can be enjoyed by families and audiences of different ages.
His philosophy challenges the notion that commercially successful music must necessarily sacrifice substance for entertainment. Instead, he believes music can be entertaining while simultaneously educating, preserving cultural identity and encouraging responsible citizenship.
A Multidisciplinary Creative
Beyond music, Oswald is a trained artist, brand and innovation expert, growth and marketing professional and author.
His multidisciplinary background informs his approach to creativity, allowing him to view music not only as an artistic expression but also as a tool for communication, branding, cultural preservation and social engagement.
He describes himself as a father, husband and “coffee-guzzling citizen”—a description that reflects the blend of creativity, family and everyday life that runs through his work.
As he develops his songwriting and production career, Oswald’s central message remains clear: music should do more than make people listen.
It should make them think, learn, remember, question and, where possible, act.
For an artist from Ohaozara in Ebonyi State who has spent years working around the music and media industry before stepping further into songwriting, the journey appears to be less about becoming another performer and more about finding new ways to use sound, words and culture to tell stories that matter.
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