Entertainment
Sean Paul makes first entry into Afrobeats with Nigerian Young Jonn
Produced by Telz, the track appears on Young Jonn’s debut album Jiggy Forever, which was released on April 12th via Chocolate City Music. Hold On debuted at No. 46 on the chart dated April 27.
The Billboard US Afrobeats Chart tracks the hottest Afrobeats songs in the United States. Launched over a year ago, it considers streaming data, downloads, and audio/video sales to rank the top 50 Afrobeats entries each week.
In a new interview with Billboard, Sean Paul, who was nominated for crossover artist of the year at the 2023 Billboard Latin Music Awards, discussed the importance of collaborating across genres.
“The music is here to connect people,” he said. “It’s just another form of reaching out to another side that’s maybe not familiar with your music or wants to see more of you.”
“I always learn from my collabs, man. There’s no time that I don’t learn. I might go and collab and I’m doing what I do, and then all of a sudden, the producer or the artist himself might step in and be like, “Yo, do a harmony right here!” And I’m like, “Oh, I didn’t ever think of doing something like that.” It may be influenced from their style of music, maybe R&B, maybe hip hop, maybe reggaetón, even Afrobeats. I learn something every time and I take that with me, so it helps my songwriting.”
The No Lie artist also noted that he sees a strong link between Dancehall and Afrobeats.
“Jamaican dancehall music, to me, back in the late ‘80s and early ‘90s, was the most Afrocentric genre coming out of the Western world, so to speak. We didn’t, at that time, connect with African artists — but we spoke up [against] apartheid in Africa. The sentiment was always there that we are closer than we think, and that we can learn from each other. Sly Dunbar is a great producer and someone I learned from; the style of drums and how we played was very Afrocentric and reminded me of our African roots here,” he said.
“Then, years pass by, and I’m an artist and I go to Africa, and they are so appreciative of what we brought to the table. It’s been a symbiotic relationship back and forth over the years. We’re using drums from the sound that’s been Afro music, people like Fela Kuti and all of these great musicians, and we’re producing it the way we hear it [and] feel it. In Afrobeats [now], they have taken the hint from how we produce and done their own thing with it.”
Continued Paul: “It goes to show you, no matter how far away you are, there are still things about the culture that are important, that are upheld and that continue through life. The connection of blood, the connection of family through culture has been an important thing — and it lives in the music and it affects us symbiotically.”
On the Billboard Afrobeats Songs chart dated April 27, Jump, Skillibeng‘s collaboration with Tyla and Gunna, spent its fourth week at No. 3.
Elsewhere on the Billboard charts, YG Marley‘s Praise Jah In The Moonlight, which received a new music video last week, spent its 12th week on the Billboard Hot 100 at No. 76, down from its peak at No. 34.
On the Billboard Reggae Albums chart dated April 27, Bob Marley And The Wailers’ Legend records 223 non-consecutive weeks at No. 1. Sean Paul’s Dutty Classics Collection is at No. 2, while Shaggy’s Best of Shaggy: The Boombastic Collection is at No. 3.
Stick Figure’s World on Fire, Set in Stone and Wisdom are at No. 4, 5 and 7, respectively, while UB40’s Greatest Hits album is at No. 6.
Damian “Jr Gong” Marley’s Welcome to Jamrock is at No. 8, follow by Bob Marley and Wailers’ Exodus and Kaya albums at No. 9 and 10.
Source: Dancehallmag
Speaking on News Central Television in a video shared on X on Thursday, the Nigeria Democratic Congress, House of Representatives aspirant described the incident as an abuse of power, adding that it raised concerns about citizens’ safety and data protection in the country.
Ike confirmed that he has initiated legal proceedings against Lere Olayinka, media aide to the Minister of the Federal Capital Territory (FCT), Nyesom Wike.
“It was shocking. It was so disturbing that I felt unsafe. I felt insecure. For the first time, I’m feeling like, is anybody safe in this country anymore? That kind of feeling, that’s what it was like to me.
He alleged that the incident reflected what he described as political recklessness and abuse of authority.
“It’s an abuse of power. It’s the extreme to radicalism, political radicalism. It’s basically telling Nigerians that we’re in charge, we know you all, (0:52) we’ll do what we want and we can get away with it. That’s very, very irritating and I feel very disturbed by this,” he added.
The actor said his legal team had already written to the parties involved, including Olayinka, INEC, his political party, the Department of State Services (DSS) and the police, to formally document the complaint.
His death was confirmed on Tuesday by his colleagues, Funke Akindele, Bolanle Ninalowo, and Godwin Nnadiekwe, who claimed to be his ally.
Sharing on her Instagram story, Akindele wrote, “Hmmmmmm. Rest in peace, Alex. I tried to reach out to see you one more time, but I guess you knew best. May your kind soul rest in peace, Alex. ‘Ore mi like you fondly called me, I will always remember and cherish the good times we shared together. Rest in Peace, Alex.”
Meanwhile, Ninalowo, who is now in the United States, also mourned on his page, writing, “Rest on, Alex. May God heal your family and us all.”
Nnadiekwe, on the other hand, shared, “I’m struggling to find the words. This news has truly broken me. Nollywood has lost a rare soul, and I’m lost for words because this wasn’t the plan, Alex Ekubo. To think you already prepared your Will — It’s heartbroken, I can’t quite describe. Rest well, my friend.”
As of the time of filing this report, his family has not issued a statement on his death.
Recall that fans across social media recently expressed concerns for Ekubo following his first public appearance after months of social media silence.
The light-skinned movie star had been absent from Instagram since December 30, 2024, sparking speculation about his well-being.
However, a recent video that surfaced online brought him back into the spotlight, though it also raised further questions.
In the viral clip, Ekubo was seen interacting with a group of children, appearing noticeably slimmer and subdued.
The footage triggered a wave of emotional reactions from fans, many of whom noted a significant change in his appearance and questioned his wellbeing.
Before his demise, the actor dismissed marriage in favour of his quest to earn more money in the film industry.
In January 2023, his then-lover, Fancy Acholonu, in an interview, revealed that she dated the late actor for five years without them having any intimacy.
The US-based model also called off her wedding to Ekubo in December 2021, after apologising to the film star a year later for calling it off.
Acholonu affirmed her love for the actor, saying that “like our shirt says, Nothing makes sense when we’re apart @alexxekubo you still have my heart.
“I miss you, I love you, and I’m truly sorry for all the hurt & pain you and your family went through with our breakup.”
She noted that her actions were out of character, and she has realised she could have controlled her emotions and not been so overreactive.
However, in a post on his Instagram page, Ekubo implied that he was aware that some people were curious about why he has not yet been married.
The film star said he was more interested in making money. He urged people not to bother about his marital status.
The news of his passing was announced on Tuesday by a fellow actor, Tony Akposheri, in an Instagram post.
Akposheri expressed shock and sadness over the death of the actor, recalling their recent interactions.
He revealed that they had recently spent time together during the New Year, sharing memories and discussing future plans.
“Today, my heart is heavy. Davis Ofor, fondly known as Clarus from New Masquerade, is gone.
“We crossed into the New Year together, laughing, talking, sharing memories, and speaking hopefully about the days ahead,” he wrote.
“We spoke about life, about plans, about how far we had come. None of us knew that time was already counting differently for you.”
Describing the late actor as more than just a screen personality, Akposheri paid tribute to his character and impact.
“It is hard to believe that the voice I heard not long ago is now a memory. Hard to accept that someone so full of life can suddenly become a story we tell.”
He added, “Rest well, my friend. You came, you gave joy, you made your mark, and you will never be forgotten.”
Clarus gained prominence for his role in New Masquerade, one of Nigeria’s most popular television comedy shows, where his character became a household name.
Details surrounding the cause of his death were not immediately available.
Ofor rose to prominence for his role as Clarus in New Masquerade, a widely acclaimed Nigerian television comedy that aired on the Nigerian Television Authority and became a household favourite in the 1980s.
His portrayal of the comic character earned him national recognition and endeared him to audiences across the country, making Clarus one of the most memorable figures in Nigerian television history.
According to the unaudited financial statements of Nigerian Breweries Plc, International Breweries Plc, and Champion Breweries Plc for the nine months ended September 30, 2025, the companies collectively recorded strong top-line performance driven largely by beer sales.
Nigerian Breweries Plc, the largest brewer in the country, recorded net revenue of N1.05tn for the period, up from N710.87bn in the corresponding period of 2024. Cost of sales stood at N631.23bn, resulting in a gross profit of N415.15bn.
After accounting for selling and distribution expenses of N193.85bn, administrative expenses of N59.58bn, finance costs of N39.15bn, and other charges, the company posted a profit after tax of N85.51bn, compared with a loss of N149.50bn in 2024. Basic earnings per share rose to 275 kobo from a loss of 1,455 kobo in the previous year.
In March, Nigerian Breweries Plc announced a return to profitability in the first quarter of 2025, reporting a 186 per cent increase in net profit compared to the same period in 2024. The unaudited financial results released on the Nigerian Exchange Limited showed that revenue for the period ended March 31, 2025, rose to N383.6bn, representing a 68.9 per cent increase from N227.1bn recorded in the first quarter of 2024.
International Breweries Plc, which operates in Nigeria and other West African markets, generated revenue of N472.57bn for the nine months ended September 30, 2025, up from N343.45bn in the same period of 2024.
The company reported a profit after tax of N57.83bn, reversing a loss of N112.81bn in 2024. Cost of sales increased to N311.64bn from N248.58bn, while administrative, marketing, and distribution expenses rose to N92.09bn from N72.68bn.
International Breweries Plc posted a profit of N11.9bn for the second quarter ended June 30, 2025, marking a turnaround from a loss of N47.3bn in the same period last year. The company’s unaudited financial statements showed revenue increased to N167.4bn in Q2 2025 from N120bn in Q2 2024, while gross profit rose to N61.9bn from N33.8bn.
Overall, the combined revenue of the three companies amounted to N1.54tn, with Nigerian Breweries Plc accounting for the bulk of sales.
Analysts say the figures highlight the resilience of Nigeria’s beer market, which continues to benefit from strong brand loyalty and distribution networks despite rising production costs and broader macroeconomic pressures.
Commenting on consumer behaviour, the Head of Financial Institutions Ratings at Agusto & Co., Ayokunle Olubunmi, said the market is experiencing a gradual shift in spending patterns, with some consumers reducing beer consumption, a trend influencing how breweries adjust their strategies.
“Following AB InBev’s acquisition of International Breweries, the company invested in new breweries and production facilities to expand capacity. This indicates that firms are prioritising scaling operations and improving efficiency to meet rising demand and strengthen their market position,” Olubunmi said.
On the broader economic impact, the Chief Executive Officer of Economic Associates, Ayo Teriba, cautioned that strong sales figures do not necessarily translate into greater economic contribution.
“The point is that bigger isn’t necessarily better. Sales may be boosted by size, but if that size reflects purchases from other companies rather than actual value added, the contribution to the economy is limited. What really matters is net output, what value the company is actually creating. GDP, after all, is the sum of value created, not just total sales figures,” Teriba said.
Controversial singer Habeeb Okikiola, popularly known as Portable, has been remanded in custody following his arraignment on Monday over multiple criminal charges.
The singer was arraigned on a nine-count charge bordering on assault, theft, causing bodily harm, and resisting arrest.
Confirming the development, Ogun State Police Public Relations Officer, Oluseyi Babaseyi, said the charges stemmed from a complaint filed by Portable’s estranged partner, Ashabi Simple.
The arraignment followed a viral video on Sunday showing the singer in police custody.
According to the prosecution, Portable allegedly assaulted Ashabi Simple, several police officers, and other individuals at his bar located in Iyana Ilogbo on New Year’s Day.
Other alleged victims listed in the charge include Ileyemi Damilola, Akinyanju Oluwabusayomi, Olowu Olumide, Demilade Ogunniyi, and Ebuka Odah.
Portable is also accused of stealing a Mercedes-Benz E300 valued at N12 million, belonging to Ileyemi Damilola and reportedly purchased from Wally Dex Auto.
It was gathered that two siblings of Ashabi Simple testified as witnesses in court, although Ashabi herself was absent during the proceedings.
The police further alleged that Portable obstructed and assaulted a female police inspector, Ogungbe Olayemi, while she was carrying out her official duties.
The presiding judge denied the singer bail, citing the absence of the allegedly assaulted police officer in court. The judge ruled that the officer must be present before bail could be considered.
Portable was consequently remanded in custody, with the bail hearing adjourned to January 19, 2026.
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