
Entertainment
I faced lots of bullying as a child due to my skin colour –Shan George


GODFREY GEORGE, veteran actress, Shan George speaks about her growing up and acting career
You have been a strong force in Nollywood for almost three decades. What has kept you going over these many years?
I would say that the Lord has been my strength. The desire to be able to speak out in defence of justice and to contribute any little I can towards the betterment of society is what drives me.
How have you managed to stay relevant over these years?
First of all, I have been in the industry since 1996. That would be about 26 years. Staying relevant is something that has to do with your input in the industry. I drink, eat, sleep this industry. So, it is hard for someone like me not to be relevant. I have not for one day said I wanted to diversify or do something else. It has been acting. My life is this industry. You know, as a woman, when you get married and start having kids, you may leave the scene for a while. But being relevant just has to come with some sacrifice. Even when I was not making money from acting, I have always been there. I also try to upgrade myself by reading books and attending acting academies. The better you get, the more the demand for you in the industry.
In your years of acting, directing, and producing, you must have had some challenges. How did you tackle such challenges?
The thing is that I am an only child. I have always been an independent person. I started fending for myself when I was in Primary Six. I was always bullied in school. So, as I grew up, it was like I fortified myself against all these negative vibes and people who just want to see others down. I have, over the years, always been known to fight my own battles. I have no big sister or brother who can help me fight my battles. That was basically what prepared me for the bullies in the industry. I am also a very liberal-minded person. I don’t react to things immediately. That is why it would be hard to see me in the web of transferred aggression. When people lash out at me, I try to understand first, their state of mind before responding to them. That is how I have been able to survive.
There have been many transitions in the movie industry since Nollywood began in the 90s. What are some of the beautiful memories you have carried with you?
There are many beautiful memories. I don’t even know where to start. Every set I have been on, every movie I have made, every colleague of mine I have had to work with within this industry left a beautiful memory with me. I have worked with very good and cooperating directors and colleagues. Worthy of mention is (the late) Sadiq Daba. He is one of those people I would say gave me good tutelage in the industry. He was harsh in a fatherly way. He set the foundation or lead I was expected to go on. He disciplined a lot of us to be stronger. He gave me some beautiful memories while we were working at the Nigerian Television Authority.
Looking at the transitions the industry has been through, what are some of the major differences in storytelling and quality of actors you have seen working on set of the 90s and what is obtainable now?
Some of the equipment used at that time and what we have now are very different. The cameras are so better now. We now have what we call Retro and others. The quality of actors is also improving. When we started, people never took us seriously. People didn’t see us people who had a job. I remember my mother once called me for an early morning meeting. She woke me up from sleep, sat me down and asked me if it was ‘drama’ I wanted to do after graduating from the university. Even in the colleges then, most of them did not offer Theatre Art. There were a lot of parents that would never allow their parents to study Theatre Art. They saw acting as a degrading kind of job. They never knew what went on behind the scenes, where the main work goes on. So, I would say it has improved. Now, you would hear parents telling you to come teach their children how to act. One met me and said I should register his kids in my film academy. The acting has also improved a lot because so many people now are into the business of teaching acting. The Internet is also there and it gives people the opportunity to watch established acts do monologues and all that. You will also watch on YouTube how a lot of stuff has improved. Technology has also improved and there are a lot of dynamics to acting now.
The storytelling has also gone deeper; interpretation has become more serious. You now know that if you get a script and do not deliver on it, they would drop you because so many people are in line waiting (to take the role). I like the competition now. It is like writing an exam. If you fail, you have failed. In acting, especially now, whatever bribery you have done doesn’t matter in front of the camera. People are taking it (acting) more seriously, so the quality of the movies has improved.
Have you always known you would be an actress?
I never knew I would be an actress. When I was growing up, I wanted to be a lawyer, the reason being that I come from a community that bullied me when I was growing up because of the colour of my skin. I have a very light complexion, so they would mock me and call me ‘Oyibo’. I was the only Oyibo before the other Oyibos began to come along. They picked on me a lot so I used to tell myself I would become a lawyer so I would put all of them, who were making my life miserable, in prison. There were a lot of things that shaped my mind that made it desirable for me to become a lawyer. But I didn’t pass the exam then, so I resorted to Mass Communication. When I got admission into the University of Lagos to study Mass Communication, I didn’t have anybody that would help me. So, I needed money to pay my fees. That was how this acting thing started. Someone took me to NTA and introduced me to Sadiq Daba. That was how I got a ‘waka pass’ role. Then, I became a Personal Assistant on set. I did all this at that time just because I was looking for a way to earn a living and not really because I thought about the job so much. I just needed money for my school fees and other expenses. As time went on, I started meeting people and began to like the whole thing. It became like a family then in NTA. Then, a lady, Blessing, told me to accompany her to a movie audition in Maryland, Lagos, held by Emeka Ossai. When we got there and Ossai saw me, he simply said, “This is the Joan we have been looking for.” I was shocked. He asked if I could play the role of Joan. I had just done a few ‘waka passes’ in Nollywood and honestly, I thought it was getting too serious. I didn’t trust myself, so I started laughing. I told the lady who took me there that I wasn’t sure I could do it. She encouraged me that I could. That movie was titled ‘Thorns of Rose’ and it was directed by Fred Amata. There were a lot of big actors on the set and it was a really beautiful experience. I was paid N20, 000. I became a big girl in school. That was how it all started. From there, I got another role for another movie and another one and another one.
Who did you inherit your complexion from, your father or mother?
My mom was fair. I think it was from her I got this fair complexion.
Do you think your skin gives you some kind of privilege or edge in the industry?
Honestly, when people say this, I wonder what they mean. Being fair or light-skinned, for me, has not made the road smoother at all. It has been the same thing darker people have had to face that I have also faced in my career path. I cannot relate when people say I have had a good run only because I am light-skinned. May be that is why many people go the extra length to be like us and end up spoiling their God-given skin.
It would appear that fate was at play when you couldn’t get admission to study Law and had to settle for Mass Communication, which led you into acting, a field in which you have achieved so much. Looking back, do you still regret not studying Law?
I studied Mass Communication, so I would be a journalist. That is the closest to being a lawyer. At least, I can always speak up for the voiceless (as a journalist). But when acting came, it became the ultimate. I have no regrets. I have had a good run in my acting career, and I won’t trade it for anything.
Did your mom eventually accept your decision to be an actress, having earlier expressed reservations about it?
As a student then, my mom never took me seriously because she didn’t think it was what I wanted to do for a living. She wasn’t bothered. I too was trying to be a good journalist. I didn’t think I was going to graduate and enter Nollywood. I just felt it was something I would do only for some time. By the time I finished school, I did a project titled ‘All for Winnie’. This was the first movie I produced in the 90s. One of the reasons that pushed me into producing, besides the fact that my Head of Department was very encouraging, was the fact that the man-know-man matter in the industry was just too much. It is either the man-know-man or the conditional-role-giving that came along with it. I just decided that I didn’t have time for all that. I was able to raise some funds and got a student loan and did that movie. When I left school, I did another one before I did ‘Made in Heaven’ and others.
It was after I graduated that my mother began to properly ask me if drama was what I wanted to do. I told her that it was drama I wanted to do. One day, when I bought her some good rice and chicken, I chuckled and told her, “As you dey enjoy this chicken now, na that drama o!” She also began to laugh.
You seem very fond of your mother. What is that thing you miss about your childhood with her?
My mother is an awesome woman. She recently passed (on) and I am even still mourning. I miss living rent-free as a child. I miss shouting that I was hungry and people would rally to send food to me. I miss eating free food. Adulthood is such a scam! I miss my mom so much. It has always been the two of us since my dad passed. I never knew much about my dad though. I only have tiny patches of memories about him until he passed (away).
Would you like to speak of any tough moment in your career?
I remember going for auditions that I was sure I did well but I was not chosen. The role would be given to some family member or so (of the producer or director). Another challenge was the fact that when I started I was in school, so it was hard combining schoolwork with acting. Sometimes, I would forget my lines because they clashed with schoolwork I had to do. Also, when we started, there was no GSM, so it was hard to know where there was casting. Then, we would wake up in the morning and go to National Theatre. It was tough.
What was your first day acting like?
My mouth was shaking like I had yellow fever. I didn’t have that confidence in myself. That did a very bad trick on my brain. But I had a couple of friends who cheered me on.
You have grown-up sons who you gave birth to very early in your life. Was it hard for you to manage them and your career?
It was not an uphill task. I look at those days now and I smile. I remember one time I was down with typhoid and I had my sons around me. They literally carried me. When we walk together people think they are my bouncers or bodyguards. It is so overwhelming. Being a mother comes with a lot of worrying to be sure your kids are fine. Keeping the decorum and following it up with the teachings so they can turn out as good citizens is a struggle. With the rate of insecurity in the country, the worry is a lot.
Your son, Deloi, in an interview, said his life and that of his brothers got better after your break-up with their dad. How has it been raising these children? Did you do it all by yourself?
I never raised them all by myself. My ex and I had to make sure we raised them together. He is married now but we still raise the kids together. We have a good rapport because of the kids. He paid all the bills. He never pushed any responsibility as a father to me, not even for a second. My children like him. They have always had a good relationship. My ex is a very kind-hearted and responsible man. It was his hot temper that made us break up.
What lessons did you learn from your marriage that has shaped you into a better woman?
I never even know yet o! I am not really shaped now. I have been married twice. I have my first husband who happens to be the father of all my kids. My second husband also didn’t work out, clearly because of distance. He lived in England. I lived in Nigeria. The gap was an issue, so we went our separate ways. There were no hard feelings. So, I won’t say I had a terrible experience. Well, I would say I have learned to be more patient. I am still trying to experience whatever it is I have to experience.
Do you feel pressure to marry anytime soon?
I feel no pressure. No one can even pressure me. I am the pressure.
PUNCH
Entertainment
Lawyer Urges Davido to Apologise to Edo Governor Over WAEC Result Post

A legal practitioner and author, Timothy Tugbiyele, has urged Afrobeats singer David Adeleke, popularly known as Davido, to apologise to Edo State Governor Monday Okpebholo over his social media post displaying the governor’s alleged West African Examinations Council (WAEC) result.
Tugbiyele made the call in a trending video originally posted on Facebook on Monday while commenting on the ongoing political exchanges ahead of the August 15 Osun State governorship election.
Davido had shared what appeared to be Okpebholo’s WAEC result on his Instagram Story on Friday, shortly after the Edo governor criticised Osun State Governor Ademola Adeleke over his penchant for dancing.
Okpebholo, who was campaigning for the All Progressives Congress (APC) governorship candidate, Bola Oyebamiji, popularly known as AMBO, had mocked Adeleke’s leadership style.
“Before somebody signs paper, he will dance. Are you not tired? For four years, this man has been dancing. Before he takes breakfast, before he drinks tea, he will dance,” the governor said.
Davido, who has been actively campaigning for his uncle, subsequently posted the alleged WAEC result of Okpebholo without a caption.
Reacting to the development, Tugbiyele described Davido’s response as inappropriate, arguing that Adeleke should have responded to his Edo counterpart through official channels rather than allowing the singer to engage the governor.
He said, “Governor Adeleke, Ademola Adeleke, would have replied his contemporary governor, or caused one of his workers, maybe a commissioner of information or a special assistant, to reply. Not Davido, David Adeleke.”
The lawyer further argued that Davido and Okpebholo occupy different positions and should therefore not engage each other on the same level.
“I think what Davido did is disrespectful and I will plead with him, he should exercise some humility and apologise,” he said.
Tugbiyele also maintained that even if the alleged result was genuine and reflected poor academic performance at the time, it should not be used to ridicule the governor.
“The result is not good enough, but it’s possible. The governor did a resit. We are not aware of that, but I think Davido, David Adeleke’s publication is inappropriate,” he said.
He rejected the argument that the exchange should be dismissed as ordinary political rivalry, stressing that political disagreements should not descend into personal attacks or disrespect.
“I have heard it said by one of the political leaders that everything is fair in politics. No, when you are fighting below the belt, when you are insulting, when you disrespect elders, that is not fair in politics,” Tugbiyele said.
The lawyer appealed to Davido’s elders to caution the singer, while urging him to apologise to Okpebholo.
He recalled seeing photographs of Davido prostrating before elders, describing him as a well-brought-up Yoruba man.
Tugbiyele also argued that a person’s academic performance at one stage of life should not be used to define their entire life or career.
Using his own experience, he said he had also obtained results that were not impressive but was encouraged by his father to keep going.
“So, oh, Governor Okpebholo had a result that was not good enough. He’s governor today. All of that, the bad result is in the past. Politics does not really have to go to that extent,” he said.
He concluded with a direct appeal to the singer: “Davido, David Adeleke, please, as a proper Yoruba, please apologise to Governor Okpebholo. God bless you, David. God bless Nigeria.”
The controversy comes amid heightened political activity in Osun State ahead of Saturday’s governorship election, with Davido openly supporting his uncle, Governor Ademola Adeleke, in his bid for a second term.
Entertainment
Tupac Shakur Murder Trial Begins 30 Years After Rapper’s Killing

Former gang leader Duane “Keffe D” Davis faces life imprisonment if convicted
The trial of former gang leader Duane “Keffe D” Davis, accused of orchestrating the murder of legendary rapper Tupac Shakur, began on Monday, nearly 30 years after one of the United States’ most high-profile unsolved killings.
The proceedings, expected to last about a month, may not establish who fired the shots that killed Shakur on September 7, 1996, in Las Vegas, where the rapper had travelled to attend a Mike Tyson boxing match.
Prosecutors, however, will seek to prove that Davis, a former leader of the South Side Compton Crips, ordered the killing and supplied the gun used in the drive-by shooting.
Jury selection began on Monday and is expected to continue throughout the week.
Davis, 63, appeared in court wearing a light-blue shirt and blue tie. He faces life imprisonment without parole if convicted.
The killing of Shakur, also known as 2Pac, remains one of America’s most prominent cold cases and has generated decades of speculation among music fans over who killed the 25-year-old rapper and why.
Shakur was a major figure in the bitter rivalry between the East Coast and West Coast hip-hop scenes during the 1990s.
Known for hits including “California Love” and “All Eyez on Me”, Shakur was the son of a Black Panther and was raised in Harlem and Baltimore before becoming one of the defining figures of West Coast rap after signing with Los Angeles-based Death Row Records.
The trial is expected to revisit the rivalry between Death Row Records, founded by Marion “Suge” Knight, and Bad Boy Records, the New York-based label founded by Sean “Diddy” Combs and home to Christopher “The Notorious B.I.G.” Wallace, who was murdered in March 1997.
Prosecutors say Death Row Records was protected by Mob Piru, a Los Angeles gang affiliated with the wider Bloods alliance. Knight was associated with the group.
Bad Boy Records, meanwhile, had hired the rival South Side Compton Crips, led by Davis, as bodyguards.
After the Tyson fight at the MGM Grand casino, Knight and Shakur assaulted Davis’s nephew, Crips member Orlando “Baby Lane” Anderson, in retaliation for an alleged earlier attack on a Death Row employee.
Prosecutors allege that Davis subsequently sought revenge.
Later that night, a white Cadillac carrying Davis, Anderson and others pulled alongside Shakur’s vehicle in Las Vegas.
Shots were fired from the Cadillac, fatally wounding Shakur.
The investigation stalled for decades amid a lack of evidence. The case was revived after the publication of Davis’s memoir in 2019.
In the book, Davis recounted that he was sitting in the front passenger seat of the Cadillac and handed a firearm to people in the back seat. He did not, however, identify who fired the shots.
The other people who were in the Cadillac that night have since died.
Davis had made similar comments to reporters previously, but the statements contained in his memoir ultimately contributed to his arrest in September 2023.
He has since denied involvement and pleaded not guilty.
“I’m innocent. I ain’t killed nobody. Never did ever kill nobody,” Davis said in a March 2025 interview with ABC News from prison.
“They don’t have no evidence against me. They can’t even put me in Las Vegas,” he said.
Davis now claims he was in Los Angeles on the night Shakur was killed and says he has never read his own memoir.
He has alleged that his co-author exaggerated his account to boost book sales.
“I just gave him details of my life,” Davis said. “And he went and did his little investigation and wrote the book on his own.”
Ahead of the trial, Davis’s lawyers unsuccessfully sought to prevent prosecutors from introducing the memoir as evidence, along with statements he made during a 2008 police interview in which he was questioned as a witness to the killing.
Regardless of the verdict, the trial may not resolve all questions surrounding Shakur’s death.
In May, Shakur’s stepbrother, Maurice Shakur, filed a wrongful-death lawsuit in civil court.
“There remain individuals who were involved in Tupac’s murder who, for 30 years, have not been held accountable for their crimes,” the complaint stated.
The lawsuit also cites a television documentary series, Sean Combs: The Reckoning, in which Davis allegedly told police that Combs had offered him $1 million to kill Shakur.
Davis’s allegations have not been established as fact, and Combs has denied involvement in Shakur’s killing.
AFP
Entertainment
Peller’s ₦400m Abuja Mansion Allegedly Built on Disputed Land

Documents reveal ownership dispute involving property gifted to Peller and Jarvis on their wedding day
Recent developments appear to have raised concerns that the ₦400 million fully furnished mansion recently gifted to popular Nigerian content creator Habeeb Hamzat Adelaja, popularly known as Peller, and his partner, Jarvis, may be located on a disputed parcel of land in Life Camp, Abuja.
Documents made available to newsmen indicate that the property may be situated on an area allegedly encroached upon by Paul-B Homes Limited and claimed by Yakoson Ventures and Urban Paradise Estate, behind Ochacho Estate, Life Camp, Abuja.
Urban Paradise Estate has alleged that Paul-B Homes Limited encroached on the property without its consent and subsequently commenced the sale of portions of the disputed land to real estate developers and investors, including King Ochacha, Silas Homes and NLG Cooperative.
The estate said the ownership dispute is currently before the High Court of the Federal Capital Territory, Apo, Abuja, in Suit No. CV/116/2026.
In a recent petition, Urban Paradise Estate alleged that Paul-B Homes Limited has continued construction activities on portions of the disputed property despite being served with relevant court processes through substituted means.
According to the petition, the continued development has raised concerns among affected investors and other interested parties, particularly regarding compliance with ongoing judicial proceedings and respect for due process.
The petition called on President Bola Ahmed Tinubu and the FCT Minister, Nyesom Wike, to prevail on Paul-B Homes Limited and other developers to respect the rule of law and the pending court proceedings and to desist from further activities on the disputed land pending the court’s final determination.
“It is important to stress that the ownership dispute remains sub judice and subject to the final determination of the court. No party should therefore be treated as having been finally vindicated or condemned until the court reaches its decision,” the petition stated.
The estate also commended President Tinubu for his emphasis on institutional reforms, the Renewed Hope Agenda and the strengthening of the rule of law and due process in Nigeria.
It similarly praised FCT Minister Nyesom Wike for his efforts to restore order, planning discipline and accountability within the Federal Capital Territory.
“It is in this same spirit that we appeal to the FCDA and other relevant FCT authorities to ensure that the rule of law is fully respected in this matter, that no development takes place in defiance of valid court processes or orders, and that the rights of all legitimate stakeholders are protected pending the determination of the court,” the petition stated.
The petition further urged members of the public and prospective investors to exercise caution and conduct proper due diligence before committing their funds to properties within the disputed area.
“Those already developing properties on the affected land are urged to seek proper legal clarification and take appropriate steps to protect their investments pending the resolution of the dispute,” it added.
The alleged land dispute does not, however, establish that Peller and Jarvis were aware of any ownership controversy or that they were personally involved in the alleged encroachment.
The ownership claims remain before the court, and no party has been finally declared the lawful owner of the disputed property.
Entertainment
WHERE BUSINESS MEETS COMMUNITY: THE EVOLVING IDENTITY OF OC2HUB IN ABUJA

WHERE BUSINESS MEETS COMMUNITY: THE EVOLVING IDENTITY OF OC2HUB IN ABUJA
OC2HUB | Gordian Towers Limited
The role of a commercial centre is changing.
While location, accessibility and business facilities remain important, commercial developments are
increasingly expected to create environments that connect with the wider communities around them.
In Abuja, Orago Commercial Complex—better known as OC2HUB—is developing an identity that
reflects this shift.
The Garki-based commercial centre, managed by Gordian Towers Limited, is already positioned as a
destination for businesses, retailers and entrepreneurs. Its recent activities, however, show another
side of the brand: a growing commitment to the social, cultural and entertainment life of the Federal
Capital Territory.
This has been particularly evident through its engagement with Abuja’s comedy community.

In 2025, Gordian Towers partnered with the MC Miti Comedy Show and subsequently supported the
MC Papi Comedy Show as both a partner and sponsor.
In 2026, the company continued this
engagement by sponsoring the Funny Bruno Comedy Show.
The consistency of that support is significant.
Comedy has become an important component of Abuja’s entertainment landscape, providing
opportunities for performers, event promoters, content creators and audiences.
By supporting these
platforms, Gordian Towers is participating in an ecosystem that exists beyond conventional
commercial transactions.
Its social and cultural engagement has also taken other forms.
Gordian Towers offered support to Abuja Igbo Fest 2026, an event celebrating Igbo culture and
heritage in the Federal Capital Territory.
The company was also present at the 2026 Kilishi Festival,
reflecting its interest in activities that bring Abuja’s diverse communities together.
The company’s involvement is not limited to external events.
Through the Orago Trade Fair 2025, Gordian Towers created its own platform for business
engagement, bringing vendors, businesses and customers together within the commercial complex.
The 25th anniversary of Orago Commercial Complex provided another opportunity for community
engagement. Gordian Towers served as the event planner for the anniversary celebration, marking the
history of the complex while bringing together people and businesses connected to its journey.
These activities contribute to the emerging meaning of OC2HUB.
The term “hub” increasingly describes more than a physical location.
It suggests a place where different interests meet and where relationships can develop.
For OC2HUB, those intersections are becoming increasingly visible.
Business meets entertainment. Commerce meets culture.
Vendors meet customers.
Established companies meet emerging creatives. And a commercial property becomes a setting for experiences
that extend beyond buying, selling or leasing space.
This approach is particularly relevant to Abuja, a city whose identity continues to develop through the
interaction of business, government, culture, entertainment and entrepreneurship.
Commercial spaces that understand these connections can become more deeply embedded in the
communities they serve.
OC2HUB’s growing involvement in Abuja’s social and cultural activities suggests that this is the
direction the brand is pursuing.
Its support for comedy shows, participation in cultural festivals, organisation of a trade fair and
involvement in its own anniversary celebration all point towards a commercial brand seeking a more
active relationship with the city around it.
Ultimately, the evolution of OC2HUB is not only about the development of a commercial property.
It is also about the development of a community around that property.
And in a city as socially and culturally dynamic as Abuja, becoming part of that community may prove
just as important as being a place where business is conducted.
Entertainment
P-Square Feud: Jude Tore Our Family Apart, Says Brother Henry

Henry Okoye, elder brother of music duo P-Square, has accused their former manager and brother, Jude Okoye, of being responsible for the longstanding rift within the family.
Henry made the allegation during an interview with Nollyserve, shared on YouTube on Friday, where he also disputed claims that Jude was responsible for building P-Square’s career.
According to him, the family had supported Peter and Paul Okoye from the early days of their music career, long before Jude became involved in managing the group.
“When they started this music, they were looking for sponsors. They didn’t get a sponsor. When I started sponsoring them, Jude was not there.
“We would travel from state to state for music. They used my car for flyers. I did bodyguard with them. We were supporting them as a family, but we knew it was Peter and Paul that owned it,” Henry said.
He alleged that Jude joined the group’s management only after the twins had begun making progress, adding that their late mother had initially opposed the idea because of her concerns about Jude’s character.
“Before you could know it, Jude came in. We wanted to allow Jude to manage them, but my mum disagreed. She said she knew the kind of character Jude had,” he alleged.
Henry claimed that the family became increasingly divided after Jude took over the management of P-Square.
“What happened at last is that they started running away from everybody. We never knew that it was Jude that was causing the problem,” he said.
He also alleged that he was promised 20 per cent from each of P-Square’s shows in recognition of his early financial and logistical support, but claimed he never received the money.
“Before they started all these things going on, they promised me 20% in each show, but nobody has given me,” Henry said.
According to him, Jude later questioned why he was entitled to the percentage, leading to further disagreements within the family.
Henry also accused Jude of cutting ties with family members, claiming that Jude had not contacted him even when he was hospitalised for two months.
“Almost a year to two years, I’m not talking to Jude. He doesn’t talk to me.
“I was admitted into the hospital for two months. Peter used to call me. Paul used to call me. Jude never called me once to know how I’m feeling. He doesn’t care for anybody,” he alleged.
He further claimed that their youngest sister was struggling in Lagos and accused some members of the family of failing to support her, while acknowledging Peter’s efforts.
Henry also expressed surprise at what he described as a change in Paul’s attitude, saying the singer was previously the “nicest person” in the family.
“In our family, Paul was the nicest person before, but the way he changed, I’m surprised. I don’t know how to put it. I don’t know if Jude used any… on Paul; I cannot tell,” he said.
On the possibility of Peter and Paul reconciling, Henry said he would welcome such a development but expressed doubts that it would happen soon.
“I’ll be happy for them to come back together, but the problem I’m having is that I don’t think they’ll come back because Jude has made all of us become enemies,” he lamented.
“If you want to talk to Peter and Paul, they’ll tell you to go and meet Jude. If Jude says no, that is it.”
Henry’s allegations come amid an escalating public feud involving the Okoye brothers.
Peter, also known as Mr P, recently released a series of videos in which he accused Jude of financial misconduct and alleged that he issued death threats against him.
Peter has also rejected claims that Jude built P-Square’s career, maintaining that Henry played a significant role in supporting the twins during the early stages of their music journey.
The latest allegations have further exposed the deep divisions within the Okoye family, years after P-Square’s rise to prominence and subsequent split.
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