Entertainment
Celebrities, wives of politicians involved as lesbians takeover Calabar
Some days ago as churches held vigil prayer sessions to welcome the last month of the year before the Christmas month, in one of those churches, while worship and praise was going on, a tall fair complexioned lady walked into the church auditorium and took the back seat. After several minutes, one of the worshippers looked back and upon sighting the new entrant seated at the back, she breached all caution and dashed to the back.
The two were locked in a long embrace and other worshippers had to wonder what the two were doing. Not long after the embrace, they strolled out of the church.
Those are regular scenes in the streets of Calabar, schools, work places, homes as woman to woman love birds engage in show of open affection.
Narrating her experience and escapades as a lesbian, Ekaiquo, a dark skinned vocal lady said she was initiated into the practice by a senior secondary school mate. “I attended an all female secondary school in Calabar. Though the school had boarding facilities, I went to school from the house. Sometimes on foot and sometimes I took taxi. One weekend, while in JSS3, a senior student invited me to her birthday party. I got there late.
People where eating and some drinking when I got there. When the girl celebrating the birthday saw me as I stepped into the parlour, she was very excited. She rushed and embraced me tightly. She took me straight into her room. The bed was covered in clean sheets, flowers placed all over the room and bed. She brought me food and shortly after I finished eating, the girl came close to me, made me lie on the bed and gently robbed her hands all over my body.
She touched my sensitive parts and I did not resist. I felt she must have added something to the juice I drank. My head was floating above my body and as I began to respond, she tore off my pants and with her fingers and tongue went after my breast and private part. This went on for a long time and people in the parlour started wondering what we were doing inside the room. They came to knock but she did not open. We were there till about 8.00 pm when she opened the door. I laid in bed and couldn’t move.
She had to call one of her father’s drivers to take me home. She gave me some money. For days, I couldn’t go out of the house. My mom asked why I was walking clumsily but I did not tell her. I treated my body of the bruises with warm water. After that , our meeting became fairly regular until she saw me with another lady and she stopped calling me.
“When word goes round the lesbian circle your abilities in the use of the tongue and fingers, you become hot cake and married women, girls, ladies would start calling your number”.
She said she was into lesbianism for years until she finished school before getting engaged in male- female relationships
“At first I did not enjoy the male – female act but was forced into it by the need to have children and also my mom was on my neck to get married”.
Another lesbian who calls herself Thelma said she was introduced into it by her sisters and their friends. “We would go out to have some drinks, get back to the house and tore at one another for hours. I did this for a long time until I had a taste of the male- female act and it became more exciting and irresistible and had to abandon the woman- woman act”
One of the girls narrated how she got involved with one of the celebrity lesbians. “ For years, Queen’s image adorned the Carnival Calabar king-size banner which was placed on the Okoi Arikpo building, headquarters of the Carnival Calabar. She was so much in love with me but she was too possessive and overbearing so I had to leave her. Anytime she saw me talking with another lady she instantly became offended and wouldn’t mind picking a fight right there. When I left her she cried for months. Sent people to beg me with gifts but I was done with her. She left Calabar to Eket and I hear she is involved with one tomboy who is into sports. I careless”
The lesbian world is ruled by envy, cheating, snatching of mates, betrayals and all acts related to erotic relationships.
“There is hookup in female – female relationships as in male – female affairs. If you want hookup, you pay for it and if it is relationship you want since you are the one wooing me, all the bills are on you,” another lesbian said.
A business centre operator narrated her experience with his landlady’s daughter along Orok Orok street near the University of Calabar.
“ There is this beautiful girl, my landlady’s daughter where I operate a business centre. She is always bringing female friends to her room. I thought she is a female footballer but when I constantly heard moaning coming from her room, I became curious. I asked a tenant in one of the rooms close to her room and he told me what she was into. My appetite for her died instantly and I stopped toasting her”
Relationships in the female -female arena are beset with envy, betrayals, jealousy, jilting and snatching of others’ mates. They move in circles and sometimes form colonies. Sometimes two “males” can share one “female” based on some agreed terms. Most of the bills during sit-outs, picnics are taken care of by the “male” who is the seducer in most cases.
“If you want a cake, you have to bake or buy it. You won’t ask me to come to satisfy you if you can’t pay or take care of my needs. You have to pay my fees, get someone to write my assignments or other academic needs while I frolic with you” Jane, a student at one of the universities in Calabar said.
She said just like you have female-male hookups, there are female-female hookups. “Hookups are driven by cash and if you want me to satisfy you, I can take time off from from my mate and come meet you where you are but you have to pay me” She said with authority.
She said even pastors’ wives and wives of prominent politicians are involved in the act but most prefer hookups to avoid being detected by their husbands.
Speaking on the preponderance of lesbian practices in Calabar, Dr Kingsley Ekam ,a Calabar-based legal practitioner said the government of former President Goodluck Jonathan in spite of pressure mounted on him by some prominent foreign countries to recognize same-sex marriage passed a law outlawing any form of such relationships but some youths are openly engaged in such practices oblivious of the penalty imposed by the law. They are ignorant of the consequences they face by defying the law.
“The Same-Sex Marriage (Prohibition) Bill signed into law on January 7, 2014, by former President Goodluck Jonathan criminalizes public displays of affection between same-sex couples and restricts the work of organizations defending gay people and their rights.
The law imposes a 14-year prison sentence on anyone who “[enters] into a same-sex marriage contract or civil union,” and a 10-year sentence on individuals or groups, including religious leaders, who “witness, abet, and aid the solemnization of a same-sex marriage or union.” He said the law also imposes a 10-year prison sentence on those who “directly or indirectly make [a] public show of [a] same-sex amorous relationship” and anyone who “registers, operates, or participates in gay clubs, societies, and organizations,” including supporters of those group.
Veteran Nigerian actor and film executive Oludotun Baiyewu Jacobs, popularly known as Olu Jacobs, has died at the age of 84.
His son, Olusoji Jacobs, announced his death in an Instagram post on Wednesday, describing him as “The Lion of Lufodo.”
Olusoji said the family was grateful to God for the life their father lived and appealed to bloggers and social media influencers to respect the family’s privacy.
Olu Jacobs was one of Nigeria’s most respected veteran actors, with a career spanning theatre, television and film.
Born on July 11, 1942, Jacobs trained at the Royal Academy of Dramatic Arts in London. He began his acting career in British television before featuring in international productions and later returning to Nigeria, where he established himself as a major figure in the country’s film industry.
He appeared in numerous Nigerian films and was recognised with several industry honours, including the Industry Merit Award at the Africa Magic Viewers’ Choice Awards and a Lifetime Achievement Award at the Africa International Film Festival.
Jacobs was also involved in film production and the development of the performing arts in Nigeria. Alongside his wife, veteran actress Joke Silva, he was associated with the Lufodo Group.
His death marks the loss of one of the most recognisable figures in Nigeria’s entertainment industry.
Nigerian dancer and entertainer Iweh Odinaka, popularly known as Poco Lee, has been granted bail in the United Kingdom ahead of his scheduled appearance at Snaresbrook Crown Court on Tuesday, September 15, 2026.
According to court information, Odinaka was granted bail on September 11, with a plea and trial preparation hearing scheduled for September 15.
“The Defendant has been granted bail on the 11th September 2026,” the court stated, adding that “There is a plea and trial preparation hearing on the 15th September 2026.”
The bail decision clarifies the entertainer’s current custody status following earlier reports about his release.
However, the granting of bail does not mean the criminal proceedings have been discontinued or that the allegations against him have been resolved.
The Crown Prosecution Service had previously confirmed that the case remained active and that Odinaka was due to appear before Snaresbrook Crown Court.
Odinaka is facing five sexual offence charges, including attempted rape, two counts of rape and two counts of assault by penetration.
He has denied the allegations and maintained his innocence. The charges remain before the court and have not been determined.
In a video shared on Instagram by social commentator Martins Otse, popularly known as VeryDarkMan, Poco Lee said he remained confident because he knew he had not committed the alleged offences.
He said: “If I were inside there and I did what I was accused of, I would have felt I was paying for my sins, but since I knew I didn’t do what I was accused of, my mind is pure.”
The case followed Poco Lee’s visit to the UK for the Davido and Friends concert at the Crystal Palace Bowl in London on August 14, 2026.
Poco Lee has not been convicted of any offence. His next court appearance is scheduled for Tuesday, September 15, 2026.
Afrobeats superstar David Adeleke, popularly known as Davido, has revealed a long-standing relationship between his family and Nigerian billionaire businessman Aliko Dangote.
Speaking in a recent interview, Davido said Dangote personally drove his mother home from the hospital after she gave birth to him.
“Aliko Dangote drove my mom home from the hospital when she gave birth to me.”
Davido explained that Dangote has maintained a close relationship with his family for decades, particularly with his father, businessman Adedeji Adeleke.
According to the singer, Dangote has also offered him financial advice since he was a child, repeatedly encouraging him to save and manage his money wisely.
“Anytime I see him, he still tells me, ‘David, save your money.’ He’s been saying that since I was a baby.”
The singer said the billionaire’s advice has remained valuable throughout his career in the entertainment industry.
Davido also spoke about his perception of wealthy people, saying billionaires are ordinary people despite the enormous wealth they possess and that their private lifestyles are often different from how the public imagines them.
He described his relationship with Dangote as one that dates back to his childhood and continues to this day.
AGULU CHIMEZIE Releases New Single Titled “NNE AGULU BIA”
Artist: Agulu Chimezie
Real Name: Chimezie Ibezim
Song Title: Nne Agulu Bia
Producer: Mr Wanga
Location: Nigeria
Native: Agulu, Anambra State, Nigeria
Nigerian recording artist Agulu Chimezie, born Chimezie Ibezim, has released his latest song titled “Nne Agulu Bia.” The new release adds to the growing catalogue of the talented artist, who has previously released several songs and continues to make his voice heard through music.
Nne Agulu Bia is a song that proudly reflects the artist’s connection to Agulu in Anambra State, celebrating his roots, identity, culture and the spirit of his people.
The song which storyline reflects to how our Ancestor traveled from Agulu to foreign land and later came back home peacefully
The song was produced by talented music producer Mr Wanga, bringing together a distinctive sound and musical production that complements Agulu Chimezie’s artistic style.
With several songs already to his name, Agulu Chimezie is steadily building his presence in the Nigerian music scene, using his music to connect with listeners both at home and beyond.
“Nne Agulu Bia” is now available on various digital music platforms, giving fans and music lovers the opportunity to stream and enjoy the latest release.
About Agulu Chimezie
Agulu Chimezie, whose real name is Chimezie Ibezim, is a Nigerian artist and a native of Agulu, Anambra State. Through his music, he continues to showcase his creativity while representing his roots and contributing to the growth of Nigerian music.
Listen, Stream & Support
Music lovers are encouraged to search for Agulu Chimezie – “Nne Agulu Bia” on major digital music platforms, stream the song, share it with friends and family, and support the artist by following his musical journey.
Agulu Chimezie — “Nne Agulu Bia”
Produced by Mr Wanga
Out Now on Digital Platforms.
DOWNLOAD AND ENJOY BELOW 👇
By Our Reporter
For Ugo Oswald, music is much more than entertainment. It is a responsibility—a vehicle through which artists can educate, influence, preserve culture and communicate important truths to society.
The multidisciplinary artist, author and songwriter believes music should carry messages that are meaningful, age-appropriate and rooted in the customs and values of the people.
“I believe that music is more than a sound. It’s a responsibility to the audience to influence, teach and share through age-appropriate storytelling, in the customs of our people,” Oswald said.
According to him, an artist has a solemn responsibility to confront society with the truth, mobilise communities towards communal living and promote values that strengthen society.
For Oswald, the genre is secondary to the message.
“We can rock it, ragga it, blues it, hardcore it, or simply oja it, to get the story across,” he said.
His approach to songwriting is also informed by his belief that music can communicate on several levels. He describes music as a “solid code” in which lyrics can contain deeper meanings beyond their immediate interpretation.
“I believe that music is a solid code, on two levels, or three levels, making lyrics deeper than what they seem to say,” he explained.
From Behind the Scenes to Songwriting
Although Oswald has only recently begun putting his own lyrics together in earnest, his relationship with music and the creative industry goes back many years.
A native of Ohaozara in Ebonyi State, he was involved in the music and entertainment scene during his university years, working largely behind the scenes.
He recalls being around the industry during the era of artistes such as McLoph, Ill Bliss, Obiwon and BigLo.
His experience also brought him into contact with some of the leading voices of the Nigerian music industry. While serving as a programme officer at the newly established NTA Asaba, Oswald granted Flavour, popularly known as Ijele, his first television interview.
Those experiences, he says, helped shape his understanding of music not merely as performance, but as a powerful medium for communication and social influence.
Today, Oswald sees himself primarily as a songwriter and music production operative rather than simply as an artiste.
His creative interest is centred on developing songs and productions capable of carrying substantial messages while remaining accessible to different generations.
Music With a Social Message
Oswald’s second album, Who Love Nigeria, reflects this philosophy.
The project explores family, history, anthropology, politics and African consciousness through a blend of conscious root rock reggae, dancehall, Afro-pop soul remix and alternative rock.
Rather than restricting himself to one musical style, he experiments with different genres in an effort to create what he describes as new paradigms for communicating deep messages about society.
Issues including conservation, governance and everyday living feature prominently in his creative worldview.
For Oswald, the power of an artist comes with an obligation to use that influence responsibly.
He is particularly passionate about positive and clean lyrics that can be enjoyed by families and audiences of different ages.
His philosophy challenges the notion that commercially successful music must necessarily sacrifice substance for entertainment. Instead, he believes music can be entertaining while simultaneously educating, preserving cultural identity and encouraging responsible citizenship.
A Multidisciplinary Creative
Beyond music, Oswald is a trained artist, brand and innovation expert, growth and marketing professional and author.
His multidisciplinary background informs his approach to creativity, allowing him to view music not only as an artistic expression but also as a tool for communication, branding, cultural preservation and social engagement.
He describes himself as a father, husband and “coffee-guzzling citizen”—a description that reflects the blend of creativity, family and everyday life that runs through his work.
As he develops his songwriting and production career, Oswald’s central message remains clear: music should do more than make people listen.
It should make them think, learn, remember, question and, where possible, act.
For an artist from Ohaozara in Ebonyi State who has spent years working around the music and media industry before stepping further into songwriting, the journey appears to be less about becoming another performer and more about finding new ways to use sound, words and culture to tell stories that matter.
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