Entertainment
Old clip of Wizkid’s father’s claim on helping Alaba get electricity in 1972 sparks outrage
Muniru Balogun, the father of multiple award-winning musician Ayodeji, popularly known as Wizkid, claimed to have sorted the electricity problem of the Alaba area in Ajegunle, a commercial community in the Ajeromi Ifelodun Local Government Area of Lagos State.
Wizkid’s father said he went to the defunct National Electric Power Authority in 1972 to reach an agreement that helped the area enjoy electricity till today.
The claim has since been greeted by netizens’ outrage after the clip resurfaced two years later.
In the video recorded by GoldMyne TV in 2022, Balogun was presented with the Ajeromi Ifelodun Heroes and Icons Award.
Wizkid’s father, speaking on his contribution to the community, said, “I came to Ajegunle in 1972. At that time, there was no light in Alaba. So, I went to NEPA and lured them to come and make a survey of the area to give them light.
“So when they presented it. I did the survey; I did the draft, and the sketch of the whole of Alaba. They presented it to their board at that time (1972), and it was approved within two weeks, after which light was given to the area.
“So that is my contribution. I am the Baba Adinni of Alaba Central Mosque and also the former Chairman of APC for 14 years. I thank God that I’m still alive and that my son, Wizkid, is still doing well. I thank God.”
He further advised the community’s youths to shun social vices, adding that if they don’t have an education, they should have something to do while urging them to develop their talents in football, music, and the rest.
However, the interview has been greeted with backlashes and tribal outrages from netizens who claimed that the Igbo in Alaba developed the community into the commercial city it is today and not Wizkid’s father as claimed.
A Tweep, Mayowa David, who identifies as @kkiiikk on X, said, “But Alaba is Igboland Nannuuu….”
Another user, Phemmy, tweeting with the handle @phemifem, said, “The colonial master paid for the light in advance.”
Carter of Remo, who tweets as @Biola_carter, opined, “It’s a lie…Aguiyi Ironsi paid for it.”
One Chiefnwosu_store on Instagram queried, “Which of the Alaba? Suru Alaba or Alaba International Market?.”
Solarklips on Instagram also wrote in Pidgin English, “He gave Alaba light ke? na him be governor or LG chairman…Ok. accepted. People must have contributed money for the transformer, but he didn’t mention them. No man can single-handedly give a village electricity not to talk of Alaba.”
This is coming on the heels of the reignited long-standing feud between Wizkid and David Adeleke, popularly known as Davido which was accompanied by fiery social media exchanges.
In the early hours of Monday, April 29, 2024, Wizkid made some controversial tweets, which became the major topic of discussion in the entertainment industry for the week.
Wizkid had posted the embarrassing video, which had surfaced on the Internet some weeks back, in response to a fan who had asked him to release a new song.
He stated that his fans must beg him for a new song the same way Davido was pleading in the video before he would consider their request.
However, the singer did not stop there. He also threw ‘shades’ at Peruzzi, an artiste signed to Davido’s record label. Perruzi is believed to have written many of Davido’s songs, a fact that the latter has confirmed on different occasions. In one of the controversial tweets, Wizkid wrote, “You and all your crew, plus your pant washer songwriter, go to sleep at night thinking you actually got anything on me in music. Wish you all well.”
Responding to Wizkid, Perruzi dared him to swear that he had not also sought for him. On his part, Davido responded, “You’re a sick man.” In a now-deleted tweet, Davido also called Wizkid a woman beater.
The news of his passing was announced on Tuesday by a fellow actor, Tony Akposheri, in an Instagram post.
Akposheri expressed shock and sadness over the death of the actor, recalling their recent interactions.
He revealed that they had recently spent time together during the New Year, sharing memories and discussing future plans.
“Today, my heart is heavy. Davis Ofor, fondly known as Clarus from New Masquerade, is gone.
“We crossed into the New Year together, laughing, talking, sharing memories, and speaking hopefully about the days ahead,” he wrote.
“We spoke about life, about plans, about how far we had come. None of us knew that time was already counting differently for you.”
Describing the late actor as more than just a screen personality, Akposheri paid tribute to his character and impact.
“It is hard to believe that the voice I heard not long ago is now a memory. Hard to accept that someone so full of life can suddenly become a story we tell.”
He added, “Rest well, my friend. You came, you gave joy, you made your mark, and you will never be forgotten.”
Clarus gained prominence for his role in New Masquerade, one of Nigeria’s most popular television comedy shows, where his character became a household name.
Details surrounding the cause of his death were not immediately available.
Ofor rose to prominence for his role as Clarus in New Masquerade, a widely acclaimed Nigerian television comedy that aired on the Nigerian Television Authority and became a household favourite in the 1980s.
His portrayal of the comic character earned him national recognition and endeared him to audiences across the country, making Clarus one of the most memorable figures in Nigerian television history.
According to the unaudited financial statements of Nigerian Breweries Plc, International Breweries Plc, and Champion Breweries Plc for the nine months ended September 30, 2025, the companies collectively recorded strong top-line performance driven largely by beer sales.
Nigerian Breweries Plc, the largest brewer in the country, recorded net revenue of N1.05tn for the period, up from N710.87bn in the corresponding period of 2024. Cost of sales stood at N631.23bn, resulting in a gross profit of N415.15bn.
After accounting for selling and distribution expenses of N193.85bn, administrative expenses of N59.58bn, finance costs of N39.15bn, and other charges, the company posted a profit after tax of N85.51bn, compared with a loss of N149.50bn in 2024. Basic earnings per share rose to 275 kobo from a loss of 1,455 kobo in the previous year.
In March, Nigerian Breweries Plc announced a return to profitability in the first quarter of 2025, reporting a 186 per cent increase in net profit compared to the same period in 2024. The unaudited financial results released on the Nigerian Exchange Limited showed that revenue for the period ended March 31, 2025, rose to N383.6bn, representing a 68.9 per cent increase from N227.1bn recorded in the first quarter of 2024.
International Breweries Plc, which operates in Nigeria and other West African markets, generated revenue of N472.57bn for the nine months ended September 30, 2025, up from N343.45bn in the same period of 2024.
The company reported a profit after tax of N57.83bn, reversing a loss of N112.81bn in 2024. Cost of sales increased to N311.64bn from N248.58bn, while administrative, marketing, and distribution expenses rose to N92.09bn from N72.68bn.
International Breweries Plc posted a profit of N11.9bn for the second quarter ended June 30, 2025, marking a turnaround from a loss of N47.3bn in the same period last year. The company’s unaudited financial statements showed revenue increased to N167.4bn in Q2 2025 from N120bn in Q2 2024, while gross profit rose to N61.9bn from N33.8bn.
Overall, the combined revenue of the three companies amounted to N1.54tn, with Nigerian Breweries Plc accounting for the bulk of sales.
Analysts say the figures highlight the resilience of Nigeria’s beer market, which continues to benefit from strong brand loyalty and distribution networks despite rising production costs and broader macroeconomic pressures.
Commenting on consumer behaviour, the Head of Financial Institutions Ratings at Agusto & Co., Ayokunle Olubunmi, said the market is experiencing a gradual shift in spending patterns, with some consumers reducing beer consumption, a trend influencing how breweries adjust their strategies.
“Following AB InBev’s acquisition of International Breweries, the company invested in new breweries and production facilities to expand capacity. This indicates that firms are prioritising scaling operations and improving efficiency to meet rising demand and strengthen their market position,” Olubunmi said.
On the broader economic impact, the Chief Executive Officer of Economic Associates, Ayo Teriba, cautioned that strong sales figures do not necessarily translate into greater economic contribution.
“The point is that bigger isn’t necessarily better. Sales may be boosted by size, but if that size reflects purchases from other companies rather than actual value added, the contribution to the economy is limited. What really matters is net output, what value the company is actually creating. GDP, after all, is the sum of value created, not just total sales figures,” Teriba said.
Controversial singer Habeeb Okikiola, popularly known as Portable, has been remanded in custody following his arraignment on Monday over multiple criminal charges.
The singer was arraigned on a nine-count charge bordering on assault, theft, causing bodily harm, and resisting arrest.
Confirming the development, Ogun State Police Public Relations Officer, Oluseyi Babaseyi, said the charges stemmed from a complaint filed by Portable’s estranged partner, Ashabi Simple.
The arraignment followed a viral video on Sunday showing the singer in police custody.
According to the prosecution, Portable allegedly assaulted Ashabi Simple, several police officers, and other individuals at his bar located in Iyana Ilogbo on New Year’s Day.
Other alleged victims listed in the charge include Ileyemi Damilola, Akinyanju Oluwabusayomi, Olowu Olumide, Demilade Ogunniyi, and Ebuka Odah.
Portable is also accused of stealing a Mercedes-Benz E300 valued at N12 million, belonging to Ileyemi Damilola and reportedly purchased from Wally Dex Auto.
It was gathered that two siblings of Ashabi Simple testified as witnesses in court, although Ashabi herself was absent during the proceedings.
The police further alleged that Portable obstructed and assaulted a female police inspector, Ogungbe Olayemi, while she was carrying out her official duties.
The presiding judge denied the singer bail, citing the absence of the allegedly assaulted police officer in court. The judge ruled that the officer must be present before bail could be considered.
Portable was consequently remanded in custody, with the bail hearing adjourned to January 19, 2026.
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