Entertainment
Nicki Minaj On Beenie Man: ‘I’m Just Obsessed With This Person’
Rapper Nicki Minaj has never concealed her respect for dancehall icon Beenie Man, and it was no different when she brought him out on her Pink Friday 2 tour in London, United Kingdom, last month.
The Super Bass hitmaker switched things up for Barbz on Tuesday by featuring a Caribbean segment, bringing out Stylo G for the Touch Down Remix, and going through other dancehall remixes like Gyptian’s Hold Yuh and Skillibeng’s Crocodile Teeth. The last trick up her sleeve was to bring out ‘The Doctor’.
“One person who I have looked up to before I even started knowing that I could do music…” Minaj’s introduction started. “This person has been my muse for so many years. Of all persons, I can’t f**king believe. What I’m gonna do is play a few songs while they’re up here. I’m gonna just play it like a DJ.”
According to the Red Ruby Da Sleeze artist, the agreement was for Beenie to do three songs, but she had other plans.
“They think they’re coming out here to do three songs, but I have a few more because I’m just, like, obsessed with this person, so let’s go.”
And just like that, her main engineer Big Juice dropped Who Am I, and the sold-out venue went wild. Beenie made his grand entrance in an all-black ensemble, deejaying the 1997 record that recently went viral thanks to the ‘Sim Simma’ trend.
Referring to the veteran deejay as “my dancehall king,” Minaj delivered on being a DJ, telling him that she’d altered his set by adding more songs. The near 10-minute set including the rapper’s favourite Beenie records, like Dude (featuring Miss Thing), Girls Dem Sugar (featuring Mya), Romie, Book Shelf, Old Dog, Wickedest Slam, Hmm Hmm and Tear Off Mi Garments.
An exchange of “I love you” and a bow later, Beenie squeezed in Rum and Redbull before exiting the stage.
After the show, Minaj continued to shower praises on Beenie, calling him one of her heroes in an X post.
“I just performed with the KING OF DANCEHALL,” the Trini-born act wrote. “One of the most talented musicians that I looked to for inspiration my entire career. I can’t believe this is my life sometimes. Wow. came to #GAGCITYLONDON yall!!!!!!! One of my heroes. I love this man so much @KingBeenieMan.”
The entertainer’s reverence for the Beenie is longstanding. The tour, named after her fifth and December-released album, interpolates his Wickedest Slam on the Drake collab Needle. The platinum-selling album also features Just the Memories, inspired by Beenie’s Memories (taken from a Johnny Bristol original).
She has also played his music in numerous livestreams and acknowledged him during award shows, the most recent being the 2022 MTV Video Music Awards show.
Beenie has equally been outspoken about his admiration for Minaj’s continued salute to dancehall music.
“Grateful for the opportunity to share the stage with Queen @nickiminaj in the UK
The pair collaborated on Gun Shot in 2012 for Minaj’s Pink Friday: Roman Reloaded album.
Source: Dancehallmag
Entertainment
Veteran actor, Clarus of New Masquerade, dies at 85
The news of his passing was announced on Tuesday by a fellow actor, Tony Akposheri, in an Instagram post.
Akposheri expressed shock and sadness over the death of the actor, recalling their recent interactions.
He revealed that they had recently spent time together during the New Year, sharing memories and discussing future plans.
“Today, my heart is heavy. Davis Ofor, fondly known as Clarus from New Masquerade, is gone.
“We crossed into the New Year together, laughing, talking, sharing memories, and speaking hopefully about the days ahead,” he wrote.
“We spoke about life, about plans, about how far we had come. None of us knew that time was already counting differently for you.”
Describing the late actor as more than just a screen personality, Akposheri paid tribute to his character and impact.
“It is hard to believe that the voice I heard not long ago is now a memory. Hard to accept that someone so full of life can suddenly become a story we tell.”
He added, “Rest well, my friend. You came, you gave joy, you made your mark, and you will never be forgotten.”
Clarus gained prominence for his role in New Masquerade, one of Nigeria’s most popular television comedy shows, where his character became a household name.
Details surrounding the cause of his death were not immediately available.
Ofor rose to prominence for his role as Clarus in New Masquerade, a widely acclaimed Nigerian television comedy that aired on the Nigerian Television Authority and became a household favourite in the 1980s.
His portrayal of the comic character earned him national recognition and endeared him to audiences across the country, making Clarus one of the most memorable figures in Nigerian television history.
Entertainment
Nigerians spend N1.54tn on beer, others in nine months
According to the unaudited financial statements of Nigerian Breweries Plc, International Breweries Plc, and Champion Breweries Plc for the nine months ended September 30, 2025, the companies collectively recorded strong top-line performance driven largely by beer sales.
Nigerian Breweries Plc, the largest brewer in the country, recorded net revenue of N1.05tn for the period, up from N710.87bn in the corresponding period of 2024. Cost of sales stood at N631.23bn, resulting in a gross profit of N415.15bn.
After accounting for selling and distribution expenses of N193.85bn, administrative expenses of N59.58bn, finance costs of N39.15bn, and other charges, the company posted a profit after tax of N85.51bn, compared with a loss of N149.50bn in 2024. Basic earnings per share rose to 275 kobo from a loss of 1,455 kobo in the previous year.
In March, Nigerian Breweries Plc announced a return to profitability in the first quarter of 2025, reporting a 186 per cent increase in net profit compared to the same period in 2024. The unaudited financial results released on the Nigerian Exchange Limited showed that revenue for the period ended March 31, 2025, rose to N383.6bn, representing a 68.9 per cent increase from N227.1bn recorded in the first quarter of 2024.
International Breweries Plc, which operates in Nigeria and other West African markets, generated revenue of N472.57bn for the nine months ended September 30, 2025, up from N343.45bn in the same period of 2024.
The company reported a profit after tax of N57.83bn, reversing a loss of N112.81bn in 2024. Cost of sales increased to N311.64bn from N248.58bn, while administrative, marketing, and distribution expenses rose to N92.09bn from N72.68bn.
International Breweries Plc posted a profit of N11.9bn for the second quarter ended June 30, 2025, marking a turnaround from a loss of N47.3bn in the same period last year. The company’s unaudited financial statements showed revenue increased to N167.4bn in Q2 2025 from N120bn in Q2 2024, while gross profit rose to N61.9bn from N33.8bn.
Overall, the combined revenue of the three companies amounted to N1.54tn, with Nigerian Breweries Plc accounting for the bulk of sales.
Analysts say the figures highlight the resilience of Nigeria’s beer market, which continues to benefit from strong brand loyalty and distribution networks despite rising production costs and broader macroeconomic pressures.
Commenting on consumer behaviour, the Head of Financial Institutions Ratings at Agusto & Co., Ayokunle Olubunmi, said the market is experiencing a gradual shift in spending patterns, with some consumers reducing beer consumption, a trend influencing how breweries adjust their strategies.
“Following AB InBev’s acquisition of International Breweries, the company invested in new breweries and production facilities to expand capacity. This indicates that firms are prioritising scaling operations and improving efficiency to meet rising demand and strengthen their market position,” Olubunmi said.
On the broader economic impact, the Chief Executive Officer of Economic Associates, Ayo Teriba, cautioned that strong sales figures do not necessarily translate into greater economic contribution.
“The point is that bigger isn’t necessarily better. Sales may be boosted by size, but if that size reflects purchases from other companies rather than actual value added, the contribution to the economy is limited. What really matters is net output, what value the company is actually creating. GDP, after all, is the sum of value created, not just total sales figures,” Teriba said.
Entertainment
Controversial Musician Portable Remanded in Custody Over Alleged Assault
Controversial singer Habeeb Okikiola, popularly known as Portable, has been remanded in custody following his arraignment on Monday over multiple criminal charges.
The singer was arraigned on a nine-count charge bordering on assault, theft, causing bodily harm, and resisting arrest.
Confirming the development, Ogun State Police Public Relations Officer, Oluseyi Babaseyi, said the charges stemmed from a complaint filed by Portable’s estranged partner, Ashabi Simple.
The arraignment followed a viral video on Sunday showing the singer in police custody.
According to the prosecution, Portable allegedly assaulted Ashabi Simple, several police officers, and other individuals at his bar located in Iyana Ilogbo on New Year’s Day.
Other alleged victims listed in the charge include Ileyemi Damilola, Akinyanju Oluwabusayomi, Olowu Olumide, Demilade Ogunniyi, and Ebuka Odah.
Portable is also accused of stealing a Mercedes-Benz E300 valued at N12 million, belonging to Ileyemi Damilola and reportedly purchased from Wally Dex Auto.
It was gathered that two siblings of Ashabi Simple testified as witnesses in court, although Ashabi herself was absent during the proceedings.
The police further alleged that Portable obstructed and assaulted a female police inspector, Ogungbe Olayemi, while she was carrying out her official duties.
The presiding judge denied the singer bail, citing the absence of the allegedly assaulted police officer in court. The judge ruled that the officer must be present before bail could be considered.
Portable was consequently remanded in custody, with the bail hearing adjourned to January 19, 2026.
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